REVIEW: The Cursed (Coven of Bones #2) by Harper L. Woods

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My Rating: ★★★★★☆☆☆☆☆

The Cursed is the sequel to The Coven and picks up exactly where the previous book left off—mid-scene, with no recap. If you don’t remember how The Coven ended, you’ll want to have it nearby because this book assumes you do. Unfortunately, it also doesn’t remind us of last names or house affiliations, which makes it frustrating when trying to place characters, even with the table at the front of the book. Adding to the confusion, the author frequently references past events—like what Charlotte did to Willow’s father—without offering any reminders, forcing readers to dig back through the first book.

Continuity issues were another major problem. Characters seemed to teleport between actions—one moment Willow was walking, and the next she was suddenly being carried. Even more frustrating, several characters underwent unexplained name changes. Ziva from book one is now Nova, Itar has become Itan (except for one brief slip where Margot calls him Itar again), and his nephew Ilan has inexplicably turned into Iban. These inconsistencies felt careless and made for a jarring reading experience.

Despite all this, I kept reading—probably out of sheer determination to see how it all ended. I enjoyed The Coven well enough, even though the writing wasn’t the strongest. At least it had a coherent plot, which is more than I can say for The Cursed. This book felt like a messy, disorganized sequel that lacked the polish and structure needed to make it engaging.

From what I’ve heard, the next book will focus on Margot, but after this experience, I won’t be continuing the series.

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REVIEW: The Courting of Bristol Keats by Mary E. Pearson

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My Rating: ★★★★★★★★★☆

After losing both their parents, Bristol Keats and her sisters struggle to stay afloat in their small, quiet town of Bowskeep. When Bristol begins to receive letters from an “aunt” she’s never heard of who promises she can help, she reluctantly agrees to meet—and discovers that everything she thought she knew about her family is a lie. Even her father might still be alive, not killed but kidnapped by terrifying creatures to a whole other realm—the one he is from. Desperate to save her father and find the truth, Bristol journeys to a land of gods and fae and monsters. Pulled into a dangerous world of magic and intrigue, she makes a deadly bargain with the fae leader, Tyghan. But what she doesn't know is that he's the one who drove her parents to live a life on the run. And he is just as determined as she is to find her father—dead or alive.

I just ate this book up and can't wait to read the sequel. Of course, the fact that it ended like mid-scene had me immediately looking to find out when the next book would be released, and I immediately pre-ordered it. While the world building was similar to many other faerie realms, the addition of monsters and the undead kept me intrigued until the very end. Yummy!!!

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REVIEW: Witchcraft for Wayward Girls by Grady Hendrix

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My Rating: ★★★★★★★★★☆

Set in the rebellious year of 1970, Witchcraft for Wayward Girls by Grady Hendrix delves into the heartbreaking and disturbing world of pregnant teenagers forced into "Homes" to hide their pregnancies and give up their babies. The protagonist, Fern, a 15-year-old girl, is sent to one such institution, where she befriends several other girls enduring the same fate. The book explores their desperate need for empowerment and freedom, which leads them to a quirky librarian who gives them a book, How to be a Groovy Witch—a gift that changes their lives in ways they never expected.

This novel not only touches on themes of rebellion, autonomy, and sisterhood but also provides a chilling look at the harsh reality many young women faced in a time when abortion was illegal and women’s rights were actively fought for. As Fern and her friends seek a sense of agency, the introduction of witchcraft as a form of resistance adds a darkly magical and fantastical twist to the narrative, although its consequences aren’t always positive.

As someone who was still an infant in 1970, I found the portrayal of the era’s treatment of of pregnant teens incredibly eye-opening. I wasn’t fully aware of how deeply restrictive and stigmatizing that time was for young women, and the emotional impact of reading about these girls' struggles was jarring. It made me reflect on how far we've come—and how much work is still left to do. It also reinforces the fact that witchcraft, while often vilified and fantasized in such contexts, is also a symbol of reclaiming power and identity, despite the consequences in this story.

I particularly appreciated how the author skillfully captures the frustration and injustice of the time, while also adding in a dash of fantasy. The horror is not so much in the witchcraft and mayhem that follow but in the reality of how society once treated young women like Fern. This book certainly stirs emotions and invites the reader to reflect on gender, autonomy, and the complex ways society tries to control women's lives. The combination of Hendrix's dark humor and social commentary makes this a compelling read. It’s a gripping, thought-provoking, and at times unsettling tale that does an excellent job of immersing the reader in the atmosphere of the time while drawing attention to enduring social issues.

For anyone who enjoys historical fiction with a (small) twist of magical fantasy and social critique, Witchcraft for Wayward Girls is definitely a book worth reading. It’s both a poignant reminder of the past and a call to action, urging readers to think critically about the treatment of women and their bodies.

Many thanks to NetGalley and Berkley Publishing for providing me with an Advance Reader Copy of this book. All thoughts and opinions expressed in this review are entirely my own.

#WitchcraftforWaywardGirls #NetGalley

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